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Interview with Memoir Author Madeline Sharples

December 6, 2012 by Sonia Marsh 18 Comments

Madeline Sharples

It’s my pleasure to introduce you to a fellow memoir author friend, Madeline Sharples, who wrote: Leaving the Hall Light On: A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide.

Madeline is on her virtual book tour, and I had the pleasure of becoming her friend and meeting her in person, at her home in Manhattan Beach, as well as at the Hollywood Book Fair.  I wrote a review of her book on Amazon and Goodreads, and decided to ask her a few questions which intrigued me about her honest memoir. But first, a brief synopsis of her memoir.

 

Leaving the Hall Light On: A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide charts the near-destruction of one middle-class family whose oldest son committed suicide after a seven-year struggle with bipolar disorder. Author Madeline Sharples goes deep into her own well of grief to describe her anger, frustration and guilt. She also shares the story of how she, her husband and younger son weathered every family’s worst nightmare—including struggles with her own thoughts of suicide, and ultimately, her decision to live and take care of herself as a woman, wife, mother and writer.

  • “A moving read of tragedy, trying to prevent it, and coping with life after.” Midwest Book Review
  • “Poetically visceral, emotionally honest.” Irvin D. Godofsky, M.D.
  • “Moving, intimate and very inspiring.” Mark Shelmerdine, CEO, Jeffers Press

My Questions and Madeline’s Answers:

1.     What were the warning signs when your son first began to experience symptoms of bipolar disorder? (Anything at all happen during childhood that was different?)

Just before his first manic break in February 1993, he had traveled from New York where he was attending college at the New School to attend my mother’s 85th birthday celebration. I have a wonderful photo of him playing Happy Birthday on the piano with her sitting beside him. He was perfectly normal. He was calm, loving. He talked easily to everyone and readily smiled as he posed for a photo with his brother and cousins. For the two nights he was with us, he slept easily in his childhood bedroom, and kissed and hugged me when I said goodbye to him at the airport.

Two weeks later he was calling us up every few minutes, writing all over his apartment walls with a blue felt-tipped marker, and saying people were lurking in doorways out to get him and poisoning his food and cigarettes. His clothes were strewn all over the place, his dishes were stacked up—all behaviors so foreign to the orderly and neat guy he normally was. Most important, he was a jazz musician no longer able to sit still long enough at the piano to play a song through from the beginning to end.

In those two weeks after he returned to New York City, he played three successive gigs with some older musicians in Brooklyn, rather than with his own group, and had not slept for at least two nights in a row. He also drank heavily during these performances. So it is possible that this burgeoning jazzman lifestyle of little sleep, little food, and lots of booze sent Paul over the edge. He was also so affected by the news of the heroin-overdose death of one of his classmates he became unintelligible and had to be taken from his school to the hospital.

Paul was born with his third and fourth fingers connected on both hands. And because he was trying to separate them himself, we decided to have hand surgery performed just after he turned two. He had a scary time in the recovery room and had to wear casts that looked like boxing gloves for ten days afterward. As a result he had to quit sucking those fingers cold turkey. A few other events when he was two come to mind: we moved, his brother was born, and his beloved grandfather became very ill with cancer so he couldn’t play with him anymore. Later on in Paul’s teens he had an affair with a much older woman. I think the effect of that affair might have been a factor in how he related to women afterward.

2.     How do you give support and comfort to a person who doesn’t want support or comfort?

We were in a hopeless situation. Because Paul was an adult child, we had no control. We couldn’t help him unless he let us. We felt like our hands were tied behind our backs—and by him. Paul was the driver—it was all up to him. We were out of touch and out of control at his choosing. All we could do was hope for the best, that somehow he would integrate what everyone had been telling him for so long—that his survival and recovery were up to him.

At the same time we concluded no matter what, he was our son and our responsibility. We would never turn him out into the streets. No matter how painful it was being with him, having him living with us, experiencing the effects of his illness on him and our family, we would take care of him for as long as he needed us to.

3.     How did you maintain your sanity (during) and after your son’s suicide?

A long list of things helped: friends and family, getting back on my exercise program, pampering myself, writing in my journal and taking writing workshops, attending the Survivors After Suicide meetings at the Didi Hirsch Mental Health Services organization, finding a job outside my home, and being respectful of each other as a family. We stuck together as a family, we moved through our grief in our own way and in our own time, and we came out the other side as a family closer than ever before.

4.     Did your marriage suffer as a result of your son’s bipolar disorder and suicide? So many couples end up divorcing, you didn’t how did you manage that strength between you?

At first we had a hard time just being together because our grieving methods and coping mechanisms were so different. My husband would keep saying that I needed therapy. To spite him, I wouldn’t go. That is the truth of it. He was afraid I was having a breakdown; I was afraid he was drowning his pain and anger in alcohol.

Yet, I think the main reason we survived Paul’s death at all was because of the strength of our marriage.

According to Bob, our marriage survived by a combination of my persistent drive to deal with the pain, suffering, and loss, and his willingness to wait until I got better. We realized early on that our grieving processes were different, so we were patient with each other about that. We also give each other a lot of space. We respect each other. We both are good at what we do professionally so there’s no competition or jealousy there. We have no reason to put each other down. We don’t get into arguments about the small stuff or let the small stuff get in our way. We’ve lived through too much big stuff to let that happen.

This love has also been the glue that has kept us together—a glue stronger than the trauma of Paul’s death. It was enough to help us in the most trying of times that a couple could ever go through. Plus neither of us has any other place to go. We’re together in it for the long haul—richer, poorer, sickness, health, and a son’s death.

5.     What can a person do to help and comfort a family that has experienced a suicide or other tragedy? What is the best approach when you speak to a mom who has gone through what you went through?

I don’t know if this is the best approach, but here is what I would suggest. Of course offer condolences, and explain that even though we have both been through this experience, I would have no way of knowing how you feel. Everyone grieves in her own way and for however long it takes. Everyone has a different reaction to what comes her way. I would make sure the mother has permission to grieve – to cry, to laugh, to do what it takes to express her emotions. I would also suggest taking good care of herself – get some exercise, eat healthy, get pampered, buy a new dress, go to work, find a creative outlet. Looking good will help you to feel good. And even if you don’t feel good, pretend. Pretty soon you won’t have pretend.

Also, feel free to reject everything I’ve suggested. These are things that helped me, but that doesn’t mean they’ll work for you.

And, most important, I would tell her to not let anyone tell her how long or how to grieve. So many people told me it’s time to move on already. But what did they know? Grief is so personal it must be respected and allowed to run its true course.

6.     How did your elder son’s illness and suicide affect your thoughts toward your younger son? Did Ben ever feel left out and not as loved?

It’s all about Ben now. He was my younger son. Now he’s my only son, the person I worry about the most. I think of all the disasters that could happen whenever he travels—by car, by plane, and even on foot. On days when I fear he is in danger, my heart and gut react more than ever. Now I try to hide my worries about him as best I can. After all, he is a grown up and has a wife to worry about him now. But still….

Some time ago I wrote that Ben is the reason I chose to live when I was most despondent after Paul died. That is still true. There is nothing I wouldn’t give him or do for him. Even before Paul died that was so. He and I spent so much time together as he was growing up. I was his first tennis teacher and warm-up partner, and I took him to all the tennis tournaments he competed in from the time he was seven until he graduated from high school. I worked with him on his tennis attitude such that he had a reputation for being the “Iceman” on the courts. I helped him through his losses, his nervousness before a match, his strategizing, and his triumphs.

Now I am the champion of his career. He comes to me for advice and I readily give it. He comes to me for editorial suggestions on the scripts he writes. And even though he doesn’t come to me for monetary help anymore, I would still readily give that to him too.

I don’t think Ben felt left out or not as loved during Paul’s illness or after his death. However, he had a hard time believing the behavior Paul displayed during his manic episodes were a result of his illness and not just his moodiness. So Ben stayed away a lot during those years. He just didn’t like being around his brother whom he loved very much after Paul got sick.

Sonia’s Extra Questions:

a) As a mom who has an 18-year-old son joining the Army and wanting to fight in a war, what advice do you have for us:

Not to fear the worst.

I think I can understand your fear. I have that fear about losing Ben even though there is no chance of his going into the military now because he’s too old. However, the thought of my child in danger of any kind brings out my worst fears. Of course, Ben thinks I’m silly, but I tell him I’m a mother, and that’s what mother’s do. Mothers worry.

b). What do you think is different for a mom who looses a child who is killed at war, than one who commits suicide?

Even though one could rationalize that one died while serving his country and the other died for naught, I think a mother will suffer from the death of her son no matter how it happened. Losing a child, not the way the child died, is the

Author’s Bio:

Madeline Sharples is an author, poet, and web journalist who spent most of her professional life as a technical writer and editor, grant writer and proposal manager. Through the tragedy of her son’s mental illness and suicide, she has become a thought-provoking expert on the affects of mental illness and suicide on family members—and, more important, on how to keep the surviving members of your family together and move forward in the aftermath of tragedy.

Madeline Sharples studied journalism in high school and college and wrote for the high school newspaper, but only started to fulfill her dream to work as a creative writer and journalist late in life. Her memoir, Leaving the Hall Light On: A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide, was released in a hardback edition in 2011 and has just been released in paperback and eBook editions by Dream of Things. It tells the steps she took in living with the loss of her oldest son, first and foremost that she chose to live and take care of herself as a woman, wife, mother, and writer. She hopes that her story will inspire others to find ways to survive their own tragic experiences.

She also co-authored Blue-Collar Women: Trailblazing Women Take on Men-Only Jobs (New Horizon Press, 1994), co-edited the poetry anthology, The Great American Poetry Show, Volumes 1 and 2, and wrote the poems for two photography books, The Emerging Goddess and Intimacy (Paul Blieden, photographer). Her poems have also appeared online and in print magazines.

Madeline’s articles appear regularly in the Naturally Savvy, PsychAlive, Aging Bodies, and Open to Hope. She also posts at her blogs, Choices and at Red Room and is currently writing a novel.  Madeline’s mission since the death of her son is to raise awareness, educate, and erase the stigma of mental illness and suicide in hopes of saving lives.

Madeline and her husband of forty plus years live in Manhattan Beach, California, a small beach community south of Los Angeles. Her younger son Ben lives in Santa Monica, California with his wife Marissa.

You can purchase Madeline’s memoir here at Red Room ,  Amazon or Dream of Things

Take a look at Madeline’s moving book trailer.

Join Madeline on Facebook and Twitter:@madeline40

Madeline blogs here and here, and also has her website.
I hope you read Madeline Sharples memoir, and thank her for answering all my questions. Please leave your comments for Madeline below.
 DECEMBER IS DIFFERENT.

Next Monday, December 10th, I shall be posting from Paris. I plan to share stories and photos, from Paris and London, where I am doing an event on December 13th.

I am collecting new “My Gutsy Story” submissions for 2013.  NOW is the time to submit your own “My Gutsy Story” and get published in our Anthology. Please contact sonia@soniamarsh.com for details.

To submit your own, “My Gutsy Story” you can find all the information, and our sponsors on the “My Gutsy Story” contest page. (VIDEO) Submission guidelines here.

Thanks and don’t forget to VOTE for your favorite November “My Gutsy Story” on the sidebar.

 

Publish like the Pros

November 8, 2012 by Sonia Marsh

Have you thought about starting your own publishing company but don’t know how to start? I’d like to introduce you to Michele DeFilippo, owner of 1106 Design, a Phoenix-based company that assists authors in self-publishing their books. She has written a guest post to help you answer some questions.

A Guest Post by Michele DeFilippo

It happened to other bloggers and it finally happened to me: I convinced myself that if I had enough words in me to write a blog then I had enough words in me to write a book. Several months later, I self-published my first book Publish Like the Pros: A Brief Guide to Quality Self-Publishing (and an Insider’s Look at a Misunderstood Industry).

Self-publishing is not a simple process and many authors don’t know where to start. I confess: I own 1106 Design, a Phoenix-based company that assists authors in self-publishing their books, so I knew exactly where to start and I had a terrific team at hand to help me. But many authors—viewing self-publishing as very complicated—are stymied from the start by the question: Just who is the publisher?

The answer might seem obvious, but to many people it’s not. Traditional publishing companies are held in awe. They are the gatekeepers, determining who gets published and who doesn’t. Also, there are many “self-publishing companies” out there who know exactly how to capitalize on the confused author’s emotions, promising “easy” (and ultimately, expensive) solutions that are nothing more than classic bait-and-switch schemes. But authors don’t need a self-publishing company at all, so be savvy and steer clear. Remember, if you are self-publishing, YOU are the publisher!

The name you create for your independent publishing business (or “indie” publisher) is the “imprint” – the brand name under which the book is published. Having a logo created for your imprint will add a lovely professional touch to your book cover.

OK, so you’re an indie publisher; now what?

First, treat your endeavor like a business with you as the CEO and your book as your product. Your product should be the result of a lot of research. Hopefully you have researched the market potential for your book. Unfortunately, many authors write a book and then try to find a market for it. Instead, authors should determine a need in the marketplace and write a book to meet that need.

After your book is written, it needs to be polished and packaged into a high-quality product that meets industry standards and is attractive to buyers. No CEO can do this alone, and this is where your team comes in, which at a minimum, should consist of a book designer and an editor and proofreader.

A great cover and well-designed interior pages are essential to a quality product. Anything less will scream “self-published!” and surprisingly, a goal of self-publishing is to create books that don’t appear to be self-published. Your cover should deliver a compelling message and stand out from other books. The pages should be visually appealing, hold interest, and be easy on the eye. Consciously or subconsciously, these are factors that buyers consider when deciding to purchase a book. Book designers are trained professionals, and as such you should hire a book designer rather than attempt to do it yourself. In addition, your book designer can help you with your barcode, your logo and other aspects of the publishing process. Note that you can obtain your own ISBNs from Bowker (www.myidentifiers.com). Beware! Don’t allow a so-called “self-publishing company” to provide you with one of theirs!

An editor is also critical to the book’s success. Writing a book is much different than writing a blog! At a minimum, an editor will:

  • Check the order, flow and consistency of your material.
  • Ensure the content is not repetitive or redundant.
  • Edit for mistakes in terminology or logic.
  • Smooth out your writing, correct your errors, fix your typos and check your grammar.

You will also need a company to print your book. We suggest Lightning Source and CreateSpace as print-on-demand solutions, and yes, you can and should open your own account with them, putting you firmly in control. Print-on-demand services are a cost-conscious way of printing only enough books to meet current demand. You should also consider producing an eBook edition.

Once you’ve hired your team, you can think about marketing and distribution. You may wish to hire a marketing consultant; in fact, you can bring in a marketing consultant during your research stage to help you define the target market before the design process begins. Other services are available to help you along the way, such as a book title consultant, a copywriter to write your back cover copy, someone to index your book, a designer to create your press kit, and more.

Many companies offer self-publishing packages, with book design, editing, printing and other services bundled together at a reduced price. Personally, I think that being your own publisher puts you into a position of strength, where you get to choose the professionals that you want to work with. Good luck!

Michele DeFilippo owns 1106 Design, a Phoenix-based company that works with authors, publishers, business pros, coaches, consultants, speakers . . . anyone who wants a beautiful book, meticulously prepared to industry standards. After helping almost a thousand authors make their books a reality, Michele has just self-published her first book Publish Like the Pros: A Brief Guide to Quality Self-Publishing (and an Insider’s Look at a Misunderstood Industry)

Sonia Marsh says: After researching what goes into creating a professional looking book from various sources, including the book designer, Joel Friedlander, an expert in book design, I started my own publishing company, “Gutsy Publications.” I also looked at many design and formatting companies, and finally selected 1106 Design.

1106 Design did a fantastic book cover for me, ( my book cover,) a company logo and interior formatting as I could never have done such a professional job myself.

Michele DeFilippo is the author of Publish Like the Pros: A Brief Guide to Quality Self-Publishing

In case you didn’t already know, I’m a huge fan of 1106 Design. I’m so glad I discovered them for my indie-publishing needs.

***

Please vote for your favorite October “My Gutsy Story.”  You have until November 14th to vote, and the winner will be announced on November 15th. You can read all of them and vote here.

SCROLL DOWN ON SIDEBAR TO VOTE. Only ONE vote each.
Do you have a “My Gutsy Story” you’d like to share?

NOW is the time to submit your own “My Gutsy Story” and get published in our Anothology. Please contact sonia@soniamarsh.com for details.

To submit your own, “My Gutsy Story” you can find all the information, and our sponsors on the “My Gutsy Story” contest page. (VIDEO) Submission guidelines here.

Our first November “My Gutsy Story” is by Jerry Waxler. You can read it here.


Gutsy Book Buzz: A Different Way to Market Your Book

October 4, 2012 by Sonia Marsh

Writing and publishing a book is a business, and if you want to be successful, you have to promote and market your book yourself.

There are several ways to market your book, and one way is to start small, and build your way up. That’s what I’m doing, and I decided to never say “no,” even if the group I speak to is small.

Most of us can’t afford a super expensive publicist who promises a national TV spot for $5,000 or more.

So last week, I was invited to sell my book at a fashion store in Newport Beach. Most authors would not think of promoting their book at a fashion store unless it was related to fashion design, modeling, or starting your own clothing store.

Sonia Marsh far left, customers and staff

But since I refuse to say “No,” to opportunities, I said, “Yes,” to Monir Ghaneian, and had the most amazing afternoon and evening at her beautiful “Tropez” Boutique in Newport Beach.

Inside Tropez Boutique, Newport Beach, California

Not only was I surrounded by gorgeous dresses, necklaces, purses and shoes, including fancy flip-flops, to go with the theme of my book: Freeways to Flip-Flops but Monir invited her Persian friends and relatives and I have never felt so comfortable in a clothing store in my life.

Monir Ghaneian, far left and her staff

We had a wine tasting with Lillian Norminton offering wines from the Napa Valley Levendi Winery as well as home made Persian appetizers and salads and gourmet cheeses.

Lilliian Normington from Levendi Winery holding a bottle of their Chardonnay

Several customers walked in, tried on outfits, and came out of the changing room to get feedback from all of us women, and I honestly felt like I was invited to my best friend’s house. A singer walked in, a small business owner, and a mother and her daughter shopping for her high school reunion outfit. The atmoshere was magical and women from different backgrounds bonded, just as women love to do.

Monir wanted to help me promote my book, and asked me to make a mini-presentation in front of all her customers. She heard me speak at WomenROK at the Wine Artist in June, and thought I should share my memoir with her relatives and customers.

I truly believe that when you are open to new ideas in your local community, magical things can happen to you, with your business.

What have you tried that was different to market your book? Did it work?

Check out the wonderful bloggers who interviewed me around the world.

You can check out all the interviews here, and I’m so happy to be a guest on Linda Austin’s blog 9-30-12

Do you have a “My Gutsy Story” you’d like to share?

To submit your own, “My Gutsy Story” you can find all the information, and our sponsors on the “My Gutsy Story” contest page. (VIDEO) Submission guidelines here.

Please vote for your favorite September, “My Gutsy Story” on the sidebar. The winner will be announced on October 11th.


 

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